Thursday, October 1, 2026

In 1972, Washington teacher Robert Shields began recording his life every 5 minutes; by 1997, his diary had reached 37.5 million words

From economictimes.indiatimes.com

Synopsis

For almost 30 years, Robert Shields meticulously documented every facet of his existence, utilizing six typewriters to ensure uniformity in his writing. His impressive archive comprises around 37.5 million words, which are set to remain sealed until 2057. Despite some psychologists labelling his journaling habits as counterproductive, his dedication to self-tracking is undeniable.


Somewhere in the basement vaults of Washington State University, there are 97 boxes containing documents that, by the terms of the family's original deed of gift, could not be opened for research until after the deaths of both Robert Shields and his wife, Grace Hotson Shields; Grace passed away in April 2024, and separate reporting has put the date for a full, exact accounting of the diary's word count as far out as 2057, fifty years after Shields's own death. Inside those boxes are approximately 37.5 million words, single-spaced, chronicling the life of one ordinary man, written in five-minute instalments, over the course of nearly three decades. Washington State University Libraries' own archives put that word count and box count on record, and it was Washington State Magazine writer Adriana Janovich's deeply researched 2025 profile of Shields, built from his archived diary and interviews with the people who knew him, that went on to win the writer several journalism awards; not, as an earlier draft of this piece implied, a face-to-face interview with Shields himself, who had died in 2007, years before she wrote about him. 


It seems that, more than fifty years later, Shields' particular obsession with recording his life in such granular detail still fascinates us, and it's easy to understand why. Long before we had smartphones to quantify every step we take or every tweet we post, a small-town Washington teacher was out there conducting the social science experiment of the century, finding out just what it costs to have such an existence.


Man, six typewriters and no vacation


Robert Shields was a retired minister and high school English teacher when he began, in 1972, systematically recording every aspect of his daily life in an extraordinary self-documentary. From the scant details he gave to the Washington State writer, it becomes evident that he kept six typewriters in his office in case one of them malfunctioned, so that he could keep recording without missing a beat.


Robert Shields. Image credits: Wikipedia


He got less than two hours of sleep at a time so that he could wake up every couple of hours and dictate his dreams onto the page while he still remembered them for another five minutes. He spent about four hours every day doing this, and a stroke finished the task in 1997. He died in 2007, leaving behind a legacy which people today are only beginning to appreciate.


Long before there was technology to quantify our lives, there was Robert Shields


If you think that Shields was just a strange figure from a bygone era, you would not be alone. He is often called the grandfather of the quantified self, someone who, decades before pedometers and fitness trackers existed, meticulously logged the raw material of an ordinary life by hand: sleep patterns, bodily functions, receipts, junk mail, even the weight of the daily newspaper, all in pursuit of some vague notion of completeness. A University of Washington-led 2014 study titled “Understanding quantified-selfers' practices in collecting and exploring personal data,” published in the Conference on Human Factors in Computing Systems - Proceedings, followed dozens of self-tracking enthusiasts and concluded that, for many of them, it was the collecting of the data that mattered most.


The paper specifically cited that many of these people engaged in self-tracking for data collection as an end in itself, rather than for specific goals, which sounds suspiciously like what Robert Shields was doing forty years earlier. It seems that, for him too, the goal was just to have it all down somewhere, just to have it all recorded, with no particular reason beyond that desire for completion.

What the science actually says about tracking everything you do


Now, here's where it gets interesting. If you've ever tried self-tracking or writing down everything that happens to you in pursuit of some kind of goal, there's a decent chance that you've stumbled onto something strange and counter-intuitive. Psychologists have studied diary keeping, and the results are mixed on whether recording everything is beneficial.

According to a landmark 2005 review titled “Emotional and physical health benefits of expressive writing,” published in the journal Advances in Psychiatric Treatment, writing about your emotional experiences in a focused, concise manner for a short period of time (15-20 minutes per day, over a span of a few days) can have beneficial long-term effects. But Shields was not writing about his emotional experiences, and he certainly wasn't doing it concisely. He was recording everything that crossed his mind with equal attention and effort. It's this latter approach that psychologists have found to be not particularly helpful to people who are trying to process their emotions.


A diary for journaling the small, insignificant details of day-to-day life. Image credits: Wikimedia Commons


In this corner of the scientific world, Robert Shields' approach has also been labelled as counter-productive. Computer scientists specializing in information retrieval published a paper titled “Beyond total capture: a constructive critique of lifelogging,” in 2010 in the Communications of the ACM, that directly tackled the concept of total capture, arguing that the idealization of capturing all of our digital footprints misses crucial details about how we think and process information. Memory is not simply recorded and played back like a video, and attempts to capture everything may interfere with how we remember. A record that tries to remember everything for us may miss the way memory actually works.


The inconvenient truth about keeping records

Of course, none of this means that people like Robert Shields aren't doing something worthwhile.

Whatever the diary's value as a personal coping strategy, its value as a historical record is a separate question, and it's on that second front that Washington State University Libraries are currently working to catalogue and preserve his writings for future researchers. There is, still, an undeniable irony in reading about this strange man and his obsession, given everything the research above suggests about total-capture recording.

If you've ever kept a journal yourself, whether to track fitness goals or for something more introspective, it's easy to understand why this might resonate on a personal level. Robert Shields spent four hours a day writing about everything that happened to him in five-minute intervals, in an effort to better understand his life, and by his own account he never felt he'd spent enough time on it to make it worthwhile. In our own small ways, we may all be a little like him.


Sunday, September 20, 2026

Dear Diary: 4 Historic Journals and Memoirs

From savingplaces.org

By Emma Peters

Dear Diary...

As autumn leaves fall and a new school season begins, Dear Diary Day encourages people to capture their thoughts on paper. The commemorative day, which takes place each year on September 22, serves as a reminder that personal writing is a creative, expressive act. In a world that is becoming increasingly fast-paced, writing provides people with the opportunity to slow down and reflect on their experiences.

While Dear Diary Day is a recently established observance, the practice of personal writing has existed for thousands of years. As historic sources, diaries and journals are a uniquely intimate source of information, often encompassing details about one’s daily life, thoughts, tasks, and personal notes. They help contemporary readers understand how everyday people lived in the past by capturing what they did, thought about, and ultimately valued.

To celebrate Dear Diary Day, we asked staff at National Trust Historic Sites and Historic Artists' Homes and Studios to share information about the personal writings in their collections. Read on to explore a selection of diaries, journals, and memoirs preserved at historic sites around the country.

Edith Farnsworth House (Plano, Illinois)

Photo of a page in Edith Farnsworth's journal. In blue ink, Farnsworth's cursive writing covers a sheet of white, lined paper.

photo by:Edith Farnsworth House

Six of Dr. Edith Farnsworth’s journals are available to view at the Newberry Library in Chicago, Illinois.

Photo of a page in Edith Farnsworth's journal. In blue ink, Farnsworth's cursive writing covers a sheet of white, lined paper.

photo by:Edith Farnsworth House

In her journals, Dr. Edith Farnsworth reflects on her life, career, and the construction of her home, the Edith Farnsworth House.

Dr. Edith Farnsworth left six journals behind, all of which are currently available to view at the Newberry Library in Chicago, Illinois. In the first three volumes, Farnsworth writes about her life and career. She also reflects on her work with architect Ludwig Mies van der Rohe during the construction of her home, the Edith Farnsworth House. The remaining three volumes contain Farnsworth’s translations of poetry and prose, including her translation of The Little Locksmith by her friend Katharine Butler. Two recent publications, Nora Wendl’s Almost Nothing: Reclaiming Edith Farnsworth and Michelangelo Sabatino’s The Edith Farnsworth House, use Farnsworth’s journals to recount her perspective on and collaboration with Mies van der Rohe in designing her iconic Modernist home.

“The glass house took on life and became my own home.”

Dr. Edith Farnsworth

Belle Grove (Middletown, Virginia)

In the center of this photograph is a fireplace. An armchair and lamp stand on both sides of it. In the armchair on the right sits a man, Frances Hunnewell, who holds an open book in front of him.

photo by:Belle Grove

Frances Hunnewell, who kept a diary while living at Belle Grove, reads a book in his library.

Frances Hunnewell, the last owner of Belle Grove, left one diary behind. In it, he shares details about his life at Belle Grove, including guest visits and his daily activities. While he worked as a lawyer, in his personal time Hunnewell was a passionate and accomplished botanist. His diary reflects his interest in botany and includes information about plantings on the property, some of which continue to live onsite today. Learn more about Hunnewell in the video above from Belle Grove, which delves into some of the entries in his diary.

“Feb. 23: Min 42 - Max 57 degrees. Clear & windy. Draba verna in blossom, also alders. Silver maples back of house just coming into bloom. Walked along creek in morning. Motored to Elizabeth Furnace in afternoon. ”

Frances Hunnewell

Gari Melchers Home & Studio (Falmouth, Virginia)

In 1908, artist Gari Melchers was commissioned to paint a portrait of President Theodore Roosevelt. Melchers kept a diary during the two weeks he spent at the White House, offering a glimpse into one of the most prestigious commissions of his career. In his letters and diary entries, Melchers documents his observations and experiences at the White House and comments on how his painting is progressing. In a letter to his wife, he recounts, "… Mrs. Roosevelt took me around upstairs and downstairs to find a suitable studio and we decided on the small dining room which has a north light." Melcher’s diary entries, which are available to read online, provide detailed information about his painting process and day-to-day activities as the president’s guest.

“Monday, March 2, 1908 / worked on the head today – but got my beginning too heavy – Mrs Roosevelt came in and entertained the President until later Mr Loeb came in to take her place.”

Gari Melchers
Pictured is the oil painting of Theodore Roosevelt that artist Gari Melchers completed in 1908. In the painting, Roosevelt stands upright. He is wearing tall brown boots, pants, a green suit vest, red tie, and a navy coat with a fur-lined color. He also wears glasses and a black top hat. In his hand is a walking stick and dull orange gloves. The background of the painting is dark toward the bottom, and gradually transitions to a warm, muddy beige color.

photo by:National Museum of Asian Art, The Smithsonian Institution

While painting President Theodore Roosevelt’s portrait, artist Gari Melchers kept a diary during his two-week stay at the White House.

Pictured is the memoir of artist Frederic Clay Bartlett. The cover of the memoir is a pink-beige color, and it is a hardback. Beside the cover is a copy of the memoir that is turned to its title page, which reads "Sortofa Kindofa Journal of My Own," the title of Bartlett's memoir. On the page opposite is a black and white photograph of Bartlett, who is a beige suit and is seated while working at a desk.

photo by:Bonnet House Museum & Gardens

Frederic Clay Bartlett’s reflections on art and travel were published in his memoir “Sortofa Kindofa Journal of My Own.”

Bonnet House Museum & Gardens (Fort Lauderdale, Florida)

During his life, artist and art collector Frederic Clay Bartlett wrote a memoir. Titled Sortofa Kindofa Journal of My Own, it was published posthumously in 1965, 12 years after Bartlett’s death in 1953. In it, Bartlett recounts the wonder he experienced at the World’s Columbian Exposition, also called the Chicago World’s Fair, of 1893. He attended the exposition with fellow artist Robert Allerton. Inspired, Bartlett and Allerton left Chicago to study painting overseas after the exposition. Bartlett, who was born and raised in Chicago, reflects on this pivotal experience in his memoir. He also shares his musings on art and travel, including his time studying fine art in Munich, Germany.

https://savingplaces.org/stories/dear-diary-day-historic-journals-and-memoirs 

Wednesday, September 16, 2026

The wonderfully forgetful diary of life at almost 60

From citizen.co.za

By Sonja Brown

Growing older is filled with small quirks, quiet joys and a healthy dose of forgetfulness

If I had to produce a personal journal at nearly 60, I imagine it would read less like a profound reflection on life and more like a mildly confused instruction manual written by someone who keeps misplacing their glasses which, incidentally, would be mentioned on every third page.

Picture: iStock

I can picture one entry: Woke up early. Not by choice. My body now runs on a mysterious internal alarm clock that refuses to acknowledge weekends. Lay in bed debating whether my knee pain is from ageing or from that one ambitious squat I did in 1997.

A few pages later: Spent 10 minutes looking for my phone. It was in my hand. Decided not to tell anyone. This will go to the grave with me, along with the reason I walked into the kitchen earlier. Also made a cup of tea this morning. Forgot about it. Found it later. Reheated it. Forgot about it again. I am now in a committed relationship with lukewarm beverages.

Here’s one that reads: I said “oof” while sitting down. No one warned me this would become a personality trait. Later, I opened a cupboard and forgot what I wanted from it. Stood there like a philosopher contemplating existence, except with less dignity and more questions than answers.

Ooh, this is definitely a regular entry: Had a strong opinion about something. Can’t remember what it was, but I’m not sure who won.

One day later: Noticed that I now have a “favourite burner” on the gas stove. This feels like a turning point. Not sure in which direction. But there it is.

Two weeks ago: Received a message with a new slang term. Had to Google it. Still not entirely sure what it meant, but sent a smiling emoji in response. I am now fluent in pretending.

Yesterday: Put on reading glasses to look for my reading glasses. After finding them, I cancelled plans with a friend and felt an unreasonable amount of joy. Socialising is lovely, but so is not wearing shoes.

This morning: Realised I’ve become the person who turns the volume down in the car to see better. Science cannot explain this and frankly, neither can I. Am scattered between forgetfulness and a gentle decline into comfortable oddness.

I suspect there would be more entries from here onwards. Quieter ones.

Notes about people I love. Moments that mattered. Small victories that no one else noticed.

Because perhaps that’s what a journal at nearly 60 really becomes – less about remembering everything and more about holding onto what counts. Even if you can’t quite remember where you put it.

https://www.citizen.co.za/news/opinion/the-wonderfully-forgetful-diary-of-life-at-almost-60/ 

Monday, September 14, 2026

The secret quest to preserve Palestinian writer Raja Shehadeh's diaries

From npr.org

The world's leading Palestinian writer, Raja Shehadeh, has been on a mission to save his most personal work: his diaries.

The award-winning author of more than 20 books has been documenting decades of Palestinian life, starting in 1967 at the very beginning of Israel's occupation of the West Bank when he was a teenager.

Raja Shehadeh's first diary entry from May 11, 1967.       Raja Shehadeh

His diaries capture a unique voice and front row view of history: his meetings with world leaders, his work as a human rights lawyer, and his role as legal advisor to the Palestinians during peace talks with Israel.

Shehadeh, now 75, feared his diaries and archives — kept in his garage in the West Bank city of Ramallah — were at risk of destruction from Israeli military operations. (The Israeli foreign ministry did not respond to requests for comment about Shehadeh's fears.)

So he took part in a two-year, discreet effort to spirit them to Scotland, where he has spent many summers. The archives are now at the University of Edinburgh, and the University of Exeter in England has published thousands of pages online.

Shehadeh spoke with NPR's Daniel Estrin about his decades of diary writing, and the secret effort to preserve his archives.

The interview text below has been edited for length and clarity.

How keeping a diary consistently for so long impacted who he is as a writer

 It's been a daily effort...in order to understand better what is happening around me, in order to record and document what is happening. I started when I was...fifteen years old, just before the occupation.  It has been a very good discipline because it helped me understand myself and what's happening around me...I was feeling that we are entering into a historic period that needs to be documented. So I went about writing everything down that was happening and preserving whatever I could preserve.

Raja Shehadeh looks at folders from his archive in 2026.     Yazeed Abu Khdeir


Excerpts from Shehadeh's diary during Israel's invasion of Ramallah at the height of the Palestinian Intifada in 2002

April 2, 2002 

Last night was very noisy. I was awakened many times from the sound of the bombing and shooting ... 

My mood was not good today. I just got too many telephones. The problem then became that the news spread that my spirits (so it was interpreted are down) so I got more calls from those who thought it is their duty to call me to help raise my morale ...

I am beginning to feel like a prisoner in the house, in solitary confinement ... I am thinking of exercising by pacing around the house ...

Then Samer called to say: now they have lifted the curfew ... I was glad to lift the garage door and to turn my car on ... There was absolutely no one on the street. There was dirt and stones and wind and fog but no cars ...

I continued driving up to the center and then saw two big tanks- how big they look, like elephants in a zoo where they don't belong, parked by our office blocking the street entirely ...

The satellite stations show the suffering of the Palestinians like a soap opera ... [Palestinian leader Yaser] Arafat is a rebel rouser. He is now very popular and he dramatizes everything. The Palestinians rather than be a force of change are a source of drama and emotionalism throughout the arab world ...

On Shehadeh's anger at Palestinian leaders for signing a peace accord in the 1990s that didn't stop Israeli settlement expansion

Raja Shehadeh’s diary entry for December 2, 1991, written by hand in the Grand Hotel in Washington DC while acting as legal counsel to the Palestinian negotiating team, on notepaper from the Regency Palace hotel, Amman.

Raja Shehadeh's diary entry for December 2, 1991, written by hand in the Grand Hotel in Washington DC while acting as legal counsel to the Palestinian negotiating team, on notepaper from the Regency Palace hotel, Amman.      Raja Shehadeh

My diaries after that point showed a great anger which I was glad I didn't publish. I mean, it was good that I put all my frustration and anger in the diaries because otherwise I would not have been able to live in Palestine because I was so angry and so frustrated by the leadership and so critical of it.  And so the diary played an important role in helping me vent that frustration without getting myself into trouble.

The leadership...didn't realize that the settlements were the disastrous thing and that they had to be stopped, and no agreement should happen without all settlement activities stopped, and they didn't do that.

On his diary entries documenting Israel's expanding control of the West Bank

 I started recording the changes in the geography and in the roads and in the landscape and in the effect of the settlements.  I used to walk a lot in the West Bank hills, and after the walks, I would record what I saw and how I felt and how the land looked.

I was so confused by what was happening and so wanting to understand it, and so writing it helped me understand it. I had my own way and my own nonconformity. And so describing my world in words helped me grasp it better.

Shehadeh's fear for the safety of his archives due to Israeli military operations

I n the Nakba (the Arabic word for "catastrophe," commonly used to refer to the displacement and dispossession of Palestinians when Israel was established) in 1948, they destroyed so many of the journals and private papers of Palestinians, and they were never found again. And then in 1982 in Lebanon, in Beirut, they went to the Palestine Research Center and took all the papers and all the journals and everything there and destroyed it. And in 2002, in the re-invasion of Ramallah, they went into so many homes and destroyed the private papers and everything. And so I was worried that they would do the same for me.

In 2023, with the Gaza war and the destruction of so much of the archives in Gaza, I became really worried and thought that I must do something to preserve these diaries. I kept the diaries in the garage. If the soldiers, as they did once, (would) enter my house, go to the garage and see them, they would just throw them all over the place and maybe set fire to them.

The two-year effort to move the archives from the West Bank to Scotland

I was very worried that the Israelis would stop it. So the first step was to digitize...page by page by page by page according to the highest standard with the cooperation of the University of Edinburgh University and Exeter University. And so three people worked day and night to digitize the diary … and all the documents that I had collected as well.

 And the second step was to slowly start sending the documents out by ordinary mail without raising any attention to it.

Shehadeh's 40-year quest to investigate the 1985 killing of his father, a prominent lawyer — and the Israeli police investigation files of the killing, which Shehadeh obtained in 2025

Handwritten letter dated January 10, 1949, sent to Aziz Shehadeh by the Akka- based business-owner Bahjat Eleassa from displacement in Lebanon.

Handwritten letter dated January 10, 1949, sent to Aziz Shehadeh by the Akka- based business-owner Bahjat Eleassa from displacement in Lebanon.    Raja Shehadeh

 In the archive is the process by which I went about trying to get the police to investigate and the feelings that I had about it, which extended from '85 to 2025.

It was clear that they had not investigated the main culprit, the man who had sent the letter to my father from prison threatening to kill him if he did not withdraw from a case of land that the family thought belonged to them or they were squatting on it. My suspicion, strong suspicion, is because this man was a collaborator, and he wanted to be protected, and Israel wanted to protect him as a collaborator.

This is where it ended. We could not go beyond that.  

Handwritten notes by Aziz Shehadeh of a meeting of the General Refugee Congress held in Ramallah on June 9, 1950, discussing the fate of refugees.

Handwritten notes by Aziz Shehadeh of a meeting of the General Refugee Congress held in Ramallah on June 9, 1950, discussing the fate of refugees.   Raja Shehadeh

The Israeli police revealed all the investigation, but all the investigation was extraneous. It was distracting because the main suspect was not investigated, and that we have found out.

 I had always suspected that it was this man who did it, and when I realized through this case that they have actually not investigated him, I felt that my suspicions were correct, and it gave me closure.

About Shehadeh's diary entries documenting Israel's transformation of the West Bank over the years

I understood from early on that it was a matter of...staying put and persevering. Because I realized that what the Israelis wanted was to make life so difficult for the Palestinians in the occupied territories, to make them leave.

 The only antidote to that is sumud [Arabic for "steadfastness"]. Staying put and entrenching our existence by building institutions, by making work for people, by making it clear that we are here to stay. And I never changed my mind about this. I always realized that sumud was the most important resistance to what Israel was trying to do.

What Shehadeh hopes his legacy will be

Palestine is Heaven, a poem written by Raja Shehadeh at the age of 18 in 1969 and published in the Jerusalem Post newspaper.     Raja Shehadeh

 I'm not so worried about legacy, but I'm concerned that, through the diaries, people will understand how things happened and the developments that things went through. That's very important for me, and this would be perhaps a greater way that I would have served human rights and truth than any other way, whether through my writing of books or articles or speeches. The diaries might bring about the results that I haven't been able to achieve in any other way. I think that is the important thing.

https://www.npr.org/2026/09/12/g-s1-142760/palestinian-writer-archive-scotland-israel-shehadeh